From his debut single ‘Pillowtalk’, Zayn has shown his fans and those in the music world just what he’s been working on.
A few weeks ago, Zayn posted the audio to song ‘iT’s YoU‘, a slow relaxing tune with Zayn giving us a taste of his vocal range as he hits the high notes in the chorus. Zayn then surprised his Twitter followers with the link to the latest track ‘LIKE I WOULD’.
Fans instantly fell in love with the track, which is more likely to get you on a dancefloor unlike Zayn’s previously released songs.
Personally this is my favourite song that Zayn has released so far. It has a Can’t Feel My Face/The Weeknd kind of vibe, and it’s been on repeat and in my head all day.
It’s also been reported that Zayn was filming in Manchester, UK for his next music video, which apparently takes place in a housing estate.
Leonardo DiCaprio won his first Oscar on Sunday to praise and celebrations around the world (and a big sigh of relief – I don’t think I could watch Leo lose out for another year!!).
DiCaprio’s talents throughout his career have always been recognised by fans and critics, so for him to finally get a shiny gold Oscar in his hands to take home felt like it meant more than any other award this year. Especially when you consider the amount of memes and longstanding jokes on the Internet about Leo’s lack of an Oscar over the years.
Kanye recently released his long-awaited album, The Life of Pablo for Tidal subscribers to get the first listen.
Most fans were waiting until a week had passed to purchase the album on iTunes, but Kanye made a shocking announcement that the album would not be on the store. In fact, he said that The Life of Pablo would NEVER be for sale.
Subscriptions to Tidal soon reached 2.5 million subscribers, which is more than double the amount before TLOP was added to the streaming service (according to Fader).
But with services like Tidal, how will this affect fans and the way that we get our music?
I don’t watch horror, I hate the sight of blood, gore and needles, and yet… I loved AHS: Hotel.
It was the fifth season finale of American Horror Story, and yet this season was my first time watching the Ryan Murphy creation – a show that has fans all over switching from covering their eyes in horror, to crying emotionally over a character’s moving tragedy.
And just why would someone like me, a person that steers clear of horror/thriller movies and avoids watching hospital dramas at the thought of seeing a bloodbath, want to watch a show that every week has at least one murder – a murder that results in blood gushing out of someone’s neck, their guts hanging out or their bodies or a victim drained of blood by bloodthirsty creatures?
Feel like watching a tense sit-on-the-edge-of-your-seat yet humorous film about an egotistical yet inspiring high-wire artist that risks his life (quite literally) to make his dream come true? And that crazy dream happens to be walking a wire between the Twin Towers in 1974?
While everyone was gearing towards seeing the new 50 Shades film (still not watched it – I’m a little unsure), my friends and I went to see Selma. We love a good movie that refers to historical events, and Selma didn’t disappoint us.
Starring the brilliant David Oyelowo as Martin Luther King, Jr. and directed by Ava DuVernay, the film centres on the events in Selma where MLK leads a march to Montgomery in his campaign for equal voting rights.
Following my friends into the cinema, we were about to get tickets for Birdman. I knew three things about this film: it starred Michael Keaton and Emma Stone (to name a couple), was labelled as a black comedy, and included a plot that was ‘about some man that dresses up as a bird’ (quote taken courtesy of my younger sister when I told her which film I’d be watching).
I always like to walk into a film not really knowing anything about plot, setting, trailers, or terrible/rave reviews. So I sat down in my cinema seat, opened my bag of popcorn and let director Alejandro González Iñárritu lead me wherever he wished to take me.